Monday 21 December 2009

I'm glad you referenced this idea that there is an "absent person". the absent person seems not to be some unseen character or person that inhabits these environments and leaves these marks.The absent person is a sort of reverse diagnosis taking place, while the work behaves with the same removed description as the dsm-iv in a way,categorizing samples-it simply can't be. t
-maybe a self-portrait is gradually being done- by describing a perspective on everything around the self,in terms of highly personalized quirks and complexes that define blokes- until
the negative space is all that is left.all of these she has done can't help but eventually point to her,not some snapshot case study symbolic objective kah blammo: "this is exactly what it is like to be obsessie or to purge or over-compensate. The artist herself is who seems to have walked away from these deliberate
vly created manifestations of mental states and processes
-and that seems like another layer to the experience that awareness i guess
they have a personality about them that's specific in some weird way-it's Sarah Hobbs herself making almost clinical observations,thoughts-silent settings. They're meanings are funny in how disarmingly they're very straight-forward,actually.
the periodic table from last time was a hoot. i'm actually kinda ambivalent about her work.
has she ever depicted ambivalence? i feel like that line from "im not in love" by 10cc- about the photograph that hides the nasty stain.

eggtooth

I’m glad you babble labels for babies intersection rectangles referenced this idea that there is an “absent person”. the absent person seems not to to be or to be some

unseen character or person

that inhabits these environments and leaves these marks.In particular venomous caverns of echoed delight, crimes tattered about on burned film and tears of revolution

The absent person is a sort of reverse diagnosis taking place maple leaf creased visions, while the work behaves with the same removed description as the dsm-iv in a way, plaintive latin ad hominem categorizing samples-it simply can’t be. t
-maybe a self-portrait is gradually being done- by describing a perspective on everything

burmese mclighter androidgynous itinerant around the self,in terms of highly personalized quirks and complexes that define blokes- until
the negative space is all that is left. altar knife also child all of these she has done can’t help but eventually point to her,not some snapshot case study symbolic so po pee uh softball carnival fare thee wear objective kah blammo: “this is exactly what it is like to be obsessive or to purge or over-compensate.

The artist herself is who seems to have walked away from these deliberately created manifestations of mental states and processes redresss dressed down armiture person lurks for choice pookie necklaces stationed in maybe and mights grow on a chickens ass.

-and that seems like another layer to the experience that awareness i guess
they have a personality about them that’s specific in some weird crayon marshmallow cloud highway way-it’s Sarah Hobbs herself making almost clinical observations,thoughts-silent bar of icehoused polar bear synapses rainbow drink coke settings. They’re meanings are funny in how disarmingly they’re very straight-forward,actually.
the periodic table from last time was a screech opulence thermomentor loop cyclops hoot. i’m actually kinda ambivalent about her work. nocturn blighted almanac of sanse collapsed term innate or gravy.
has she ever depicted ambivalence? i feel like that line from “im not in love” by 10cc- about the photograph that hides the nasty stain.

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